“The GRAMMYs actually heard the song and they stepped up right beside me, saying, ‘Hey, we hear you. We get it. We’re with you.”
GRAMMYs exec producer Ken Ehrlich on how Kendrick suggested a collabo with Imagine Dragons and what goes into getting Beatles together.
It’s a moody anthem that serves as the closing song on his 2013 album’ Two Lanes of Freedom.’ McGraw was drawn to it’s “timeless” quality.
“When we were about to pick the first single I really lobbied for ‘Merry Go ‘Round’ because I’m out there every night and I can tell you, hands down this is the one people are connecting with. I’m really glad that was my first thing to say to the world.”
“I enjoy exploring the topics less explored,” Nettles said of the songwriting on her brand-new solo album “That Girl.” She also spoke about Sugarland’s future: “we left it open-ended.”
“There’s something magical about somebody else endorsing your music that way, believing in you like that.”
Frontman Ezra Koenig on about how their hit single from the GRAMMY-nominated ‘Modern Vampires of the City’ went through a rough ugly duckling stage until they figured out that vocal effect—you know the one.
“When I heard ‘Wagon Wheel’ at my daughter’s high school talent contest, I just thought, ‘Man some day I’m going to cut the song for a record.’ It was one of those lightning bolt things that I can’t even explain.”
Known for his emotional piano ballads, Nail’s new album is less piano-based and more guitar-heavy than his previous two releases.
“I think one of the first lines I wrote from that song,” Lorde told Radio.com, “which was, ‘We’re driving Cadillacs in our dreams,’ was in a diary that I had when I was like 11 or 12, so young.”